This town was built on muddy stilts
By the lunatic parade
It rains like Revelations
Gonna wash these freaks away
Some girls wanna hold your hand
And some girls like to pray
Well my girl takes her drinks
With dust and rusty razor blades
As I lie between these covers
I wanna tell her that I love it
When she chokes me in the
Backseat of her riverboat 'cause
She's my man
And we got all the balls we need
When you taste that pavement
You're amazed
She smells your sympathy
So bye bye ladies
May the best queen hold the crown
For the most bush sold on the levee
My my, how word gets around
She strangles for a good time
And she kills my self-control
She's my man, don't be too sad sonny
'Cause she'll never be your woman no more
Someday soon, this dank lagoon's
Gonna sink right into hell
They'll hide you from Big Ida
At the Sho' Enough Hotel
The Ladies of the evening's just
A tombstone in your bed
Well my girl eats a wounded preacher
'tween two loaves of bread
I know she's up to something
But how can I run when she's just
Keel-hauled twenty-on to nothing
I'll stay next to the steel coal oven 'cause
She's my man
And we got all the balls we need
When you taste that pavement
You're amazed
She smells your sympathy
So bye bye ladies
May the best queen hold the crown
For the most bush sold on the levee
My my, how word gets around
She strangles for a good time
And she kills my self-control
She's my man, don't be too sad sonny
'Cause she'll never be your woman no more
All you need's just a fist of a tear-stained bunny
When the good ship comes to town
Who said loves a bitch'll sit next to me honey
Because this old boat's gonna run aground
I don't want to be the burden
Or your jealous bastard
I don't wanna be the Tarzan of your next epic disaster
She's my man
And we got all the balls we need
When you taste that pavement
You're amazed
She smells your sympathy
So bye bye ladies
May the best queen hold the crown
For the most bush sold on the levee
My my, how word gets around
She strangles for a good time
And she kills my self-control
She's my man, don't be too sad sonny
'Cause she'll never be your woman no more
She's my man, can't you feel her comin'
She's my man, she's gonna keep you runnin'
She's my man, she's gonna teach you something
She's me, she's my man
-
어제 들어도 참 신나는 시저 시스터즈ㅎㅎ 아침에 들어면서 왔는데 계속 이거 멜로디가 일할 때 귀에 울리더라. 제이크 목소리 너무 좋음ㅋㅋㅋ<
시저 시스터즈 앨범이 나온 지 좀 되었으니 늦은 포스팅이긴 하다만 ㅋㅋㅋ 다시 봐도 웃겨서...
시저 시스터즈의 멤버 셋이 게이라는 건 뭐 다들 아는 이야기고, 그 중에 보컬리스트인 제이크도 역시 게이. 그래서 시저 시스터즈는 (노래도 그렇지만) 게이 소비자층에게도 굉장히 어필을 했던 것 같다.
요새 시저 시스터즈 홈페이지에 가면 XXX 라는 시크릿 페이지가 있다. 주소는 간단. 시저 시스터즈 공홈 주소 끝에 /를 넣고 xxx만 넣으면 된다. 귀찮으니 가보고 싶으면 여기를 누르면 됨. 아무튼 그걸 누르면 성인이냐 아니냐를 묻는 게 나오고, 예스를 누른 순간 연결되는 건 무려 렌트보이 사이트!
렌트보이가 어떤 사이트냐 하면, 이름만 봐도 대충 각이 나오지 않는가... 게이 대상 에스코트 사이트다. 말이 에스코트지 더 나아가면 어떤 걸 의미하는 지 모두가 안다. 여기에 자기 프로필을 올리고 (사진들이 야시렵다!) 홍보하고 있는 거! 간단한 신체사항부터 에스코트 가격까지 있는데ㅋㅋㅋㅋ 에스코트 가격은 ask me! 알고싶어요 오빠ㅋㅋㅋㅋㅋ 웃었던 건 특기하항에 스트립핑이랑 고고 댄싱이 있었다는 거. 홍보 방식이 저돌적이야ㅋㅋㅋㅋㅋ
렌트보이랑 협약해서 한거라 인터뷰 한 것도 있는데 상당히 열린 시각이라서 놀랐다. 하긴 이 오빠 살아온 인생도 그렇고.. 여기에 올리는 것만으로도 열리지 않으면 이럴 수 없어...
For their new album NIGHTWORK ( coming out June 28th on Polydor / Universal), the band The Scissor Sisters pulled a cheeky marketing stunt on the male-for-hire site www.rentboy.com . Lead singer Jake Shears placed an ad on the infamous male escort site, using erotic photos snapped by bandmate Baby Daddy on his cel phone. The band just began a 26-city world tour. At concerts, the band is distributing Scissor Sisters “cash money” from confetti guns, with the slogan “Make Some Cash, Fuck the Rich.” When held up to the light the money reads www.scissorsisters.com/xxx. That site leads fans to Jake Shears’ rentboy profile www.rentboy.com/Nightwork, where he lists his talents as “go-go dancing and stripping” and his “out rate” as $11.99, or the price of the new album on i-Tunes. Pre-order now.
Q & A:
Sean Van Sant: How do “rentboys” fit into the theme of your new album NIGHTWORK?
Jake Shears: Rentboys and sex workers are people who operate outside the lines of our society. They make their living through sexuality and showing people a good time. In that way, we as a band feel that we're all on the same team and that there should be no shame in using sex as self-employment.
The Nightwork album cover is a photograph of a ballet dancer’s butt by the late artist Robert Mapplethorpe. Have you read Patti Smith’s memoir Just Kids about the early career of Mapplethorpe, where she says he worked as a street hustler in New York City to support himself as a struggling artist, and he loved the mystery and glamour of the hustler lifestyle?
Mapplethorpe to me represents someone who relentlessly explored pushing his own limits. He was by all means an outsider and was turned on by very dark stuff. He was able to turn those influences into something incredibly beautiful. Haven't read the Patti Smith book yet, but just finished one of the biographies. Mapplethorpe was a fascinating man.
In some interviews you have said you worked as a go-go dancer in New York City in the early years at the infamous East Village gay bar I.C.Guys [now gone]. Did you make a lot of tips? Do you pull go-go moves onstage at Scissor Sisters’ concerts?
Gogo dancing is pretty much what got me into performing in the first place. It was a great way for me to get up in front of a bunch of people and shake it and not be shy.
Once I started getting bored with it I couldn't help but think, ok how am I going to make this more interesting for me. That's when I started singing. And I've always been a dancer, there's not a huge difference to what I did then and what I do now on stage.
I heard you quoted as saying this album is inspired by the “hedonism, glamour and tragedy of the 80s.” Do you think the 2010s are going to be a better time for “party people”?
I think it's a great time right now for dance music. There's so much good stuff coming out, and I feel like it's a great time for people to really dive in.
I love Sir Ian McKellen reading on your new song Invisible Light. That song is so psychedelic, with overtones of Gandalf, Lord of the Rings and Pink Floyd. It’s a magic, mystical dance song, just amazing. What is that song all about?
It's about tripping the light fantastic. I wanted to make a song that brought you to the edge of a void. It really takes you to Mars. It's like just staring into a storable light.
To me, it sounds like your singing style has changed with this third album. I hear less falsetto—which you are known for—and more passionate mid-range singing. Is this album focused more on engagement with your voice? Does your bandmate Ana Matronic sing as much on this albums as on past albums?
Ana’s on this record more than ever and has co written more than ever. I wanted to rely less on the falsetto, to give people an idea of what kind of range I can really do. I wanted to sound a bit sexier this time around.
You have a new musical in production, a version of Tales of the City, the series of novels by Amistead Maupin, that you co-wrote with Jeff Whitty of Avenue Q fame. Are there any whorish characters or gay sex scenes in the musical?
Everybody’s a ho in Tales! No, really. It's a very sex-positive show, and there is plenty of gay action. In a lot of ways it's a really queer musical, though I think it will accessible to just about anybody. It feels actually very wholesome in a way because it doesn't make any judgment calls on people’s behavior.
Finally, do you have a message you want to send to the thousands of rentboys around the world?
I just want to say that I have an incredible amount of respect for sex workers. I think it's a fully valid profession that deserves to be treated as any other. Fight for your rights and never let anybody make you feel less than the truly beautiful person that you are!
See Jake on rentboy.com: www.rentboy.com/nightwork
Scissor Sisters website: www.scissorsisters.com
When you're walkin' down the street,
And the man tries to get your business,
And the people that you meet,
Want to open you up like Christmas.
You gotta wrap your fuzzy with a big red bow,
Ain't no sum bitch gonna treat me like a ho,
I'm a classy, honey, kissy, huggy, lovey-dovey ghetto princess.
Cause you're filthy, oooh, and I'm gorgeous,
Cause you're filthy, oooh, and I'm gorgeous,
You're disgusting, oooh, and you're nasty,
And you can grab me, oooh, cause you're nasty.
When you're runnin' from a trick,
And you trip on a hit of acid,
You gotta work for the man,
But your biggest moneymakers' flaccid.
You gotta keep your shit together,
With your feet on the ground,
There ain't no one gonna listen,
If you haven't made a sound,
You're an acid junkie, college flunky, dirty puppy, daddy bastard.
Cause you're filthy, oooh, and I'm gorgeous,
Cause you're filthy, oooh, and I'm gorgeous,
You're disgusting, oooh, and you're nasty,
And you can grab me, oooh, cause you're nasty.
Cause you're filthy, oooh, and I'm gorgeous,
Cause you're filthy, oooh, and I'm gorgeous,
You're disgusting, oooh, and you're nasty,
And you can grab me, oooh, cause you're nasty.
-
뮤직 비디오가 감독판이랑 일반판 따로 있다. 당연히 감독판이 더 노골적이다. 이게 감독판. 감독판 영상이 몇 초 더 길다.
유명하지만 여성 홍일점인 애나 말고 남자 전원 게이. 리드 싱어인 제이크 넘 귀엽당ㅋㅋㅋㅋㅋ 전에 카사비안 인터뷰 봤던거 생각남. 톰이 씨저 시스터즈 즐겨 듣는다고. 그리고 써지 인터뷰...
엿 드세요. Ana Matronic은 V페스티발 때 인사불성의 나를 돌봐줬어. 그들은 멋진 그룹이야. man.
근데 그들 중 일부는 좀 이상하긴 해. 난 마스카라와 립스틱을 바른 한 남자 멤버와 얘기했었을 때 생각했지. '됐어. 이정도면
괜찮아~' 그래서 즐겁게 대화할 수 있었어. 그러다 문득 힐끗 아래를 봤는데 그는 치마를 입고 있었어! 그것도 망사! 좋은
남자지만...
ㅋㅋㅋㅋㅋㅋㅋ써짘ㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ 아씨 다시봐도 빵터짐. 출처는 당연히 카사비안 엠파이어.
씨저 시스터즈 노래가 좋다는 건 익히 들어서 알고 있었는데, 우째 잘 듣지는 않았었다. 내 취향이 아닐 거라고 생각했나... 멤버들이 빤짝이는 의상을 입고 있던 사진을 본 탓이었나...
아무튼 어쩌다가 받았던 만도 디아오 스페인 MTV 인터뷰 영상. 스패니쉬로 더빙까지 되어서 내용을 전혀 알 수 없는 최악의 영상이었지만, 비욘과 구스가 너무... 절정으로 예쁘고 중간중간 만도 디아오 뮤직 비디오까지 삽입되어 있어서 못지웠다. 만도 디아오 뮤직 비디오 절반, 절반은 자신들이 좋아하는 곡들 뮤직비디오 삽입이었던 듯. 여러 아티스트들 노래가 나왔지만서도(구스타프의 동생들 밴드인 슈가플럼 페어리 노래도 거기 있더라. 유치한 놈들ㅋㅋㅋㅋㅋㅋ) 그 중 하나가 이 필티/고지어스였다. 거기서 보았던 건 일반판. TV니까 뭐.
한눈에 뻑갔다. 난 화려한 영상에 약한데, 일단 영상이 너무 좋더라. 팡팡 스파클이 터지는 느낌이었다. 이 뮤직 비디오에서 내가 제일 놀랐던 부분은, 처음 등장하는 흑발머리 아가씨가 아가씨가 아니라는 점이었다. 나중에 보니 가슴이 전혀 없더라... 알고나니 더 예뻐. 제이크 남창으로 나오는것도 넘 웃기고 재밌었다ㅋㅋㅋㅋㅋ 암튼 뮤직 비디오에 맞춰 노래도 신이 났고, 결국 1집 앨범을 달달달 들었는데 그래서인지 아직은 2집보단 1집이 좋다. Music Is The Victim이 제일 좋음.